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I found this feature especially helpful when I wanted to retouch a photo before sharing it on Facebook. The results are saved as a JPEG at the size and quality of your choosing.Īnother handy tool offered by the D5500 is in-camera Raw processing, which lets you adjust things like exposure, D-Lighting and white balance, with the results saved as a JPEG.
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The NEF (RAW) processing menu lets you adjust the white balance, exposure, Picture Control, high ISO noise reduction, color space, vignetting control, and D-Lighting. This function will match the exposure of the previous shot, so there are no dramatic changes in brightness as the sequence progresses. The interval timer feature has been tweaked a bit since the D5300, now offering the ability to take up to 9999 shots, as well as adding an exposure smoothing function. Another option, which isn't easy to get to (ISO sensitivity settings -> Minimum shutter speed -> Auto), allows you to adjust how quickly the shutter speed changes, with 1/equivalent focal length as the base, so you can have Auto ISO react exactly as you like. I know at which point my hands may shake enough to blur images, and the D5500's Auto ISO feature lets me set that as the 'floor'. I can then choose the highest sensitivity that I want the camera to use, so if I don't want it to use 25,600, I can set the limit to one stop below that. You can then set the rate of change, shown above.Ī couple of other features worth mentioning include Auto ISO, interval timer, and in-camera Raw editing. If you dive deeper into 'minimum shutter speed' you can select Auto (again). There are also the usual selection of special effects as well as an HDR function (only available in P/A/S/M modes).Īuto ISO mode lets you select the minimum shutter speed and highest sensitivity it will use. There is also a good selection of scene modes that you can select manually, such as sports (sets fast shutter speed + high speed burst) and dusk/dawn (uses custom white balance). When using live view in Auto mode, the camera will select one of five scene modes for you.
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While it doesn't have the 'show me how to do this' guide on the entry-level D3300, Nikon hasn't forgotten that many D5500 buyers will have relatively little experience with DSLRs. In Auto mode, the camera will select one of five for you. There are sixteen scene modes to choose from on the D5500. Using the touchscreen instead certainly made my life easier. For whatever reason Nikon has decided that you cannot use the control dial to adjust those menu items - only the eight-way controller. While this may seem minor, I found the touchscreen to be especially useful for navigating the camera's shortcut menu, which is activated by pressing the 'i' button on its back plate. This brings obvious features such as touch focus and shutter, menu navigation, and smartphone-style image playback. While the 3.2" fully articulating LCD isn't new to the D5500, touch functionality is. The image can be cleaned up pretty nicely by shooting Raw ( see example). And while I understand that Nikon needs to differentiate their models somehow, a second control dial would've made the D5500 more pleasant to use.ĭetails can get slightly mushy at higher ISOs on the D5500. I realize that there's very limited real estate on a DSLR this small, but Nikon could've laid things out better. Where the D5500's design slips up is with the buttons - they're tiny (something many of my colleagues agreed with, so it's not just me). Even with my larger-than-average hands it fits snugly and securely. For the most part, Nikon has done it right on the D5500, especially in the grip department.
I must admit that I'm not of a fan of really compact DSLRs, and that's mainly due to spending too much time the Canon Rebels of old with their tiny grips. I quickly realized that despite its quiet demeanor that the D5500 is quite the powerhouse.Ĭherry blossoms, University of Washington. Perhaps the biggest surprise was when I attached a few of Nikon's midrange lenses and went out shooting for a few days. And it's pretty cheap too, priced at $899 with a collapsible 18-55mm lens. That changed when the D5500 landed on my desk.
They're cameras I've never felt particularly excited about, unlike Nikon's higher-end models like the D7200 and D750. There it is, in a big yellow box, bundled with another lens, camera bag, and probably a memory card. When I've seen Nikon's D5000-series of DSLRs, it's typically out of the corner of my eye while shopping at Costco.